First thing I did after Kathleen's workshop was to
work on some color charts. I love the
idea of a limited palette, but I also love the process I used with Qiang
Huang and Nancy Medina – starting with
transparent paints for the foundation and shadows. And I didn’t get satisfactory purples from
the perm red and ultramarine blue. So, I
was looking for a couple of additions. I
was also finally going to look at several different brands of the same paint
color; and do a study of the alizarin and other blue-reds colors to see which
were closest to alizarin. Now that I’ve
chosen to add Indian Yellow, Transox Red and Alizarin, it’ll be interesting to
see if I use them!
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