First thing I did after Kathleen's workshop was to work on some color charts. I love the idea of a limited palette, but I also love the process I used with Qiang Huang and Nancy Medina – starting with transparent paints for the foundation and shadows. And I didn’t get satisfactory purples from the perm red and ultramarine blue. So, I was looking for a couple of additions. I was also finally going to look at several different brands of the same paint color; and do a study of the alizarin and other blue-reds colors to see which were closest to alizarin. Now that I’ve chosen to add Indian Yellow, Transox Red and Alizarin, it’ll be interesting to see if I use them!